Titanic Anecdotes

Studio executives in High Concept Hollywood have very short attention spans. When pitching a film idea, many believe if you can't do it in one sentence it is an unmarketable product. For example Planet Of the Apes (1968) starring Charlton Heston was pitched by producer Arthur Jacobs as "Moses Talks To Monkeys". Passenger 57( 1992) with Wesley Snipes was known as "Diehard On a Plane." Director James Cameron, despite a strong track record with films like Aliens (1986) and True Lies (1994) knew he would have a tough selling job after he went deep sea diving with Dr. Robert Ballard to glimpse the remains of the RMS Titanic. He became so emotionally involved by the experience that the sinking of the famous luxury liner in 1912 had to be the subject of his next picture. His pitch to the nervous executives at Twentieth Century Fox was," Romeo and Juliet on a doomed ship." There was a tense pause and Cameron said," Also fellas it's a period piece, it's going to cost $150,000,000 and there's not going to be a sequel." Fox, a studio which had known great success with both The Love Boat (1977-1986) TV show and The Poseidon Adventure (1972) was dubious about the idea's commercial prospects. But wanting a long term relationship with Cameron they gave him a green light.

Previous movie versions of the Titanic had focused on the historical aspects of the ship hitting the iceberg, so Cameron decided to play up the fictional love story. After Gywneth Paltrow turned down the female lead, Kate Winslet campaigned for it heavily by sending Cameron daily notes from England stating, "I'm your Rose." Her persistence led Cameron to invite her to Hollywood for auditions. One of her screen test partners Leonardo DiCaprio, impressed her so much she whispered to Cameron," He's great. Even if you don't pick me, pick him." Cameron picked them both, but Leonardo was harder to convince. Playing a romantic lead in a blockbuster just didn't seem cool. Cameron told him," I know what you want. You want to play him with a deformity or a limp. Well, it's lot harder playing a nice guy like Jimmy Stewart then one of those freaky, weirdo characters." Freaks and weird character portrayals often take home Oscars, but DiCaprio agreed to play the part.

For a major Hollywood production the star salaries were relatively low, DiCaprio made the most at $2,500,000. The biggest expense of the film was building the ship, it required the construction of a entirely new studio in Rosarito Beach. Cameron's attention to historical detail was evident down to the carpets, the grand staircase, the Picasso paintings and the 1911 touring car that Jack and Rose made love in. But other aspects of the film were less accurate. There was no evidence that on the real life Titanic people in third class were blocked from reaching the upper decks and the lifeboats, the emphasis was on rescuing the women and children, the richest man on board the ship actually died. In the film, First Officer William Murdoch was portrayed as a coward who shot passengers, in real life he was a hero which caused James Cameron to apologize to his surviving relatives. And Leonardo's character Jack was based on an unattractive coal miner, who never left the bottom decks, let alone met someone like Rose.

Cameron, temperamental in the best of times, was surviving on three hours sleep and saved most of his screaming for the film crew. His philosphy was you couldn't get great perfomances out of the actors by yelling. In one scene, Winslet and DiCaprio were running away from a huge wave on one of the decks and the actress was submerged and nearly drowned. Moments after she was rescued Cameron calmly said," OK. Let's do it again."

As the costs began to mount along with the stories of the director's slow pace and temper tantrums, the Fox executives began to freak out. They suggested an hour of specific cuts from the three hour film. They argued the extended length would mean less showings thus less money. But long epics are more likely to help directors bring home Oscars, and Cameron was more defiant than DiCaprio. "You want to cut my movie? You're going to have to fire me!" You want to fire me? You're going to have to kill me!" The executives, knowing that starting from scratch meant their entire investment would be gone, did neither. They also rejected Cameron's offer of forfeiting his share of the profits as an empty gesture; they were sure there wouldn't be any.

With more special effects being added Titanics's release date was moved back from summer to Christmas 1997. At one point Cameron visited the Twentieth Century Fox studio headquarters to request permission to shoot additional footage and ran smack dab into company chairman Rupert Murdoch (no relation to William) in the hallway. After months of fiercely ordering people about, the self proclaimed "King of the World" could not look his real boss in the eye. "Uh hi. Uh I know I'm not your favorite person spending all your money. But I guarantee you the movie will be good." Murdoch, with a glint of steel in voice, replied. "Young man, it had be better be better than good!"

Thanks largely to repeated viewings from young girls, the film made more money than any other picture in history. It tied Ben Hur (1959) for the most Oscars (11) although it was not even nominated for Best Original Screenplay. The Fox Executives were more relieved than euphoric and promised no more $200,000,000 movies, they felt like they had dodged a bullet. DiCaprio who infuriated the studio by refusing to promote the film and show up at the Academy Awards, became a $10,000,000 per picture star, was chased down streets by adoring young females, and later called the whole Titanic craze," kind of an empty experience". Winslet, who at one point during the shoot woke up and said, "God I wish I was dead", moved back happily into smaller independent films. Cameron got his original profit share and continued to lose his temper, suggesting a film critic who panned Titanic be impeached. He reflected later that movie prices had to be raised to fifteen dollars to pay for overblown budgets. "People would be mad for six months and then they would come back. Of course I wouldn't want one of my movies coming out during those six months."

About The Author
Stephen Schochet is the author and narrator of the audiobooks Fascinating Walt Disney and Tales Of Hollywood. The Saint Louis Post Dispatch says," these two elaborate productions are exceptionally entertaining." Hear realaudio samples of these great, unique gifts at www.hollywoodstories.com.
orgofhlly@aol.com

Who Lives In The Star Wars Galaxy?

It's hard to say where old Hollywood ended and new Hollywood began. People in the industry don't think of themselves as making history, they are just going to work. But the day in 1967 that Jack Warner cleaned out his desk at Warner Bros. studio, George Lucas and Frances Ford Coppola arrived on the lot.

The two young filmmakers were very different in demeanor. Coppola a legend at UCLA film school was 27, a loud boisterous mixture of mogul and marxist, who prided himself in dressing like Fidel Castro. He impressed film executives at first with his bravado, but later would upset them with his reckless overspending. Five years younger, Lucas, who went to USC, was quiet and introspective. The only guys at Warners who were below 30 and wore beards, they hit it off instantly with Coppola taking the mentor role. Lucas had made a thirteen minute science fiction film project called THX 1138, a dark look at a computer controlled future. Coppola convinced his protégé to extend it into a full-length film and talked Warner Bros. into financing it.

Over the next few months the wily Coppola played both sides. "I'm telling you this kid Lucas is making a great film." Coppola told the Warner brass. "Don't put pressure on yourself, they don't expect anything," He reassured Lucas. When they saw the completed THX 1138 the Suits were furious. "Francis what is this?" "I don't know, I've never seen it." replied the bewildered producer. To Lucas's dismay the studio cut out parts from THX 1138 before they released it. "They're cutting the fingers off my baby."

THX failed at the box office and Coppola was held financially liable for $300,000, but the two filmmakers were given another chance to make a low budget movie at Universal. Impressed by the success of Easy Rider (1969) the old guard at the studio was reaching out to new talent, once again Coppola would produce and Lucas would direct. Lucas was encouraged by his wife Marsha to make the second project more positive. At USC he had studied anthropology learning that the American male has a unique mating ritual, he drives around in cars trying to pick up girls. Lucas combined this observation, with his own love of classic cars, his small town upbringing in Modesto, CA and his appreciation for top 40 songs played on the radio by disc jockeys like Wolfman Jack. The result: American Graffiti (1973).

The now beloved film got off to a rocky start. It was previewed in San Francisco to young crowd who adored it. After the show Lucas and Coppola waited for the Universal executives to come and congratulate them. Instead they were shocked by angry accusations that they had planted their friends in the crowd and American Graffiti was not releasable. True to their personas Coppola argued and Lucas stood quiet. Once again George saw his film taken away and cut up by what was in his view an interfering, know nothing studio. But there was one difference between THX-1138 and Graffiti; Graffiti was a hit, a highly profitable film that made Lucas a millionaire.

Now Lucas decided to return to science fiction, this time wanting to do a more positive story than THX. After failing to acquire the rights to Flash Gordon, he sat down to write his own screenplay. Influenced by the writings of Carlos Castaneda and the mythology of King Arthur, he based the characters on familiar figures. Luke Skywalker's personality came from George Lucas himself, young, adventurous, and quiet from a small town, with a love of racing cars, or in this case space pods. Han Solo was based on . . . Francis Ford Coppola. He was loud, cocky, reckless, always in debt, going through a love-hate relationship with the younger Skywalker. And the empire was actually the Hollywood studios. George Lucas striving for his creative freedom as a filmmaker would parallel Luke Skywalker's journey to win liberty from the empire, and both would achieve it thanks to Star Wars.

About The Author
Stephen Schochet is the author and narrator of the audiobooks Fascinating Walt Disney and Tales Of Hollywood. The Saint Louis Post Dispatch says," these two elaborate productions are exceptionally entertaining." Hear realaudio samples of these great, unique gifts at http://www.hollywoodstories.com.
orgofhlly@aol.com